Book Four in the Mirrors in the Dark Series available for Preorder!

First off, I’d like to apologize for the long delay in producing this work. One major reason for that is just sheer size. The first three books in the series were roughly 100,000 words each. The Baptism of Power is about 170,000! From a business standpoint it would be better to split the book into two. However, artistically, I believe the story is better as a single complete entity, so unabridged and unbroken it shall be. The second issue was caused by some business-related annoyances that I won’t get into but are now resolved. I feel the wait was worth it.

I am pleased to announce book four The Baptism of Power is now available for preorder at the discounted price of $2.99! The launch is scheduled for 4/7, shortly thereafter the price will revert to $5.99. This tale reflects the more intimate tone and smaller scale of Monster of the Dark than The Rogue Wolf or Cause of Death. I hope you enjoy it! First chapter included below:

 

Chapter 1

The Lucky Ring

 

 

Maxine, groaning and cursing under her breath, wasn’t ready for the light. Dawn always came too soon. The teenager tossed and turned before she poked a steely middle finger out from under her covers toward the crack in her window blinds that allowed the sun to bathe her face. She threw off her covers and sat up straight.

Her room, the sanctuary that was her prison, wasn’t much. Her mother didn’t have a cent to spare for her daughter and wouldn’t spend it on her even if she did. Maxine had long since abandoned frivolous nonsense like decorating the place. That would come later, though not this room, and only after some hard work and a bit of luck, of course. The only items in the room were a few bookshelves, a small table, and her nightstand.

She stepped out of bed and winced. Her left foot stung from time to time, and in this instance, the pain shot up her entire leg. She immediately fell to the floor, but not from her foot. She’d tripped over the pile of college brochures she’d been reading last night. The surprise of the fall was more annoying than the pain of falling, but neither was her chief concern. Her groggy mind came into sharp focus as she lay on the ground, completely still. The clock caught her eye; she was running late, but prudence made her hold her breath a minute more, even if it risked detention later. Eventually she concluded that no one had been stirred by her tumble, and she let her breath go and sat up on her knees.

Maxine hastily put the brochures back in the box she stored them in. It was a bit ridiculous how many she had at this point. She had a few for Harvard, and then of course there was Johns Hopkins, Cornell, and even the University of Montana. Her only real requirement was that the school was not here. The only thing that stopped her from applying to every school under the sun was the application fees.

She pushed the box under her bed and, in seconds, was off the floor with a comb zipping through her long, silky, raven-black hair. She was happy that was the only thing she shared with her mother. She’d always hoped she’d be tall like her father was, but she’d unfortunately topped out at about average. She could move like he had, though: crisp, nimble, and athletic. People still talked about how he had torn up the local basketball court.

Maxine almost danced around her cluttered room, quick and silent as a cat, as she searched for the secondhand clothes that would be her attire for the day. She didn’t own much, but everything she did own was in here, and it was better if things were hard to find. Neat stacks of clothes could be gone through quickly and often weren’t ever seen again. How her mother or her mother’s boyfriends never found the money she stashed was beyond her—the FBI could learn a thing or two from how they tossed a room—but she wasn’t one to begrudge small miracles.

She glanced at her clock again. “No time to eat,” she said softly to herself.

Her eyes found the picture of her father on her nightstand. She picked it up and kissed him goodbye as she did every day. Sometimes she could feel a tear slide down her cheek when her lips touched the glass, but today was not one of those days.

With one hand, she hefted her backpack onto her shoulder; the other trembled toward the door lock as she reluctantly got closer. She might make her bus if she ran. Running, however, was the last thing on her mind. Unlocking the door was the first step. She licked her lips as she did so. The lock always made a loud clunk when it was undone, despite her considerable efforts to smooth the action.

Today, like every day, the wretched clunk let everyone know it was morning as if it were a mechanical rooster. Maxine held her breath and then pressed an ear to the door. If she was fast, she could relock it and pretend she was asleep. That didn’t always work, but there was little else she could do. This time, though, there was nothing. They didn’t hear it, she concluded as she breathed a little easier.

She twisted the knob slowly. It and the door itself were quiet enough that no one else would ever hear them, but Maxine was on edge nevertheless. No matter how late she stayed up and no matter how exhausted she became, in these moments, a seismometer had nothing on her. If a mouse coughed on the other side of the room, she’d swear it was a stampede of elephants. Yet, the door was open before she knew it. She took a quick breath, shuddered as she let it go, and moved out.

The first floorboard was loose. The super didn’t care to fix it, and she was uncomfortable with fully explaining why it was needed. She gripped the strap of her backpack and stepped over the loose board. The living room was strewn with its usual landmines of paper bags, bottles, glass pipes, and dishware. It was hard to see the actual floor. Maxine shuffled her feet when required, stepped carefully over what was in front of her, and walked cautiously around everything else.

An ugly green couch dominated the center of the room. The TV across from it was off. Her mother’s latest off-again, on-again boyfriend, Jodie, was passed out on it. Unfortunately, their relationship was more on than off. She couldn’t stand him. Just thinking about the times he spoke to her—always face to face and separated by only inches with his rotten, alcohol-soaked breath gassing her while he ran a finger through her hair—made her shudder.

Maxine rounded the couch as silently as possible, even going so far as to hold her breath as she went. Her eyes flashed between Jodie and down the hall, where Juanita slept. The fact that he was out here might mean they’d had a fight. It was just as probable, however, that he had simply been unable to muster the energy to amble to her mother’s room. Whatever the reason, Juanita’s bedroom door was open. It was hard to tell from where Maxine was standing, but it looked like her mother was passed out as well. Snores rumbled through the apartment like the low growls of a dragon guarding a horde of junk.

The front door was just a few steps away now. The entire place stunk of rotten food and unwashed feet. She yearned for the relative respite of the outside hall but did not rush. She bit her lip as she dealt with one more lock.

Clunk!

Something stirred behind her. It could have been a rat, a cockroach the size of a rat, or a person who put both creatures to shame. Maxine didn’t turn to see what it was. Instead, the door was open in a flash, and she bolted into the hallway before closing it just as quickly. She sprinted down the hall and down a flight of stairs before she stopped to catch her breath. She’d heard a few curses from her apartment—she had slammed the door. If she were lucky, they’d pass off the noise as a morning hangover aberration. If not, it didn’t really matter. Juanita didn’t need an actual reason to yell at her or hit her.

Maxine continued down the stairs at a rush. The bus that she might be able to catch was in the forefront of her mind now that she was out of the apartment. Hardly anyone was in the halls. Most were already at work by now, and everyone else was still sleeping off the previous night. She was out of the building in a couple minutes, and then was the next daily gauntlet. The morning’s quiet peace lasted for a few seconds before the air filled with the sound of whistles and calls from a group of three men across the street.

There was no avoiding them. It had been the same routine day after day since she was about fourteen. They seemed to do nothing other than sit on their stoop and talk about whatever caught their eye. She’d never seen them anywhere else or doing anything else. Fungus was more productive. In any case, they said the word “baby” more often than it was said in a maternity ward. There were other, less savory things said about her or to her, but she pretended to hear none of it. She had given them the finger once, and it was like dropping an overfed cow in front of a pack of starving hyenas. They just wanted attention—any kind of attention. In this instance, though, ignoring them wasn’t too hard. She could see the bus coming.

The teenager sprinted. Unfortunately there were only two people waiting at the stop. She hoped several would be getting off to give her more time, but she doubted she’d be that lucky. She and luck weren’t friends. Luck had a Maxine voodoo doll that it tortured daily. By this point, the doll had to look like a hedgehog. The bus stopped, the people waiting got on, and no one got off. Then it seemed to plug in the afterburners to get away.

“Hey!” she screamed while waving her arms. “Hey, wait! Please!” But it was no use. The bus turned the corner and was gone.

She slid to a stop and panted, even bending over to catch her breath. She thought she heard the group of men laughing at her, but it was hard to hear anything over her throbbing pulse. Just then, a blueish-white light caught her eye. She could think of nothing that could cause it. A bolt of lightning maybe, but the sky was clear, and the light had come from below her. She wasn’t completely sure she’d seen something anyway. Yet, right as she was going to begin her long walk to school, the light came again and then disappeared after a few seconds. It seemed to be coming from a storm drain. Maxine tipped her head, curiosity driving her young mind, as she got closer. No one else on the sidewalk had noticed. The light didn’t reappear, but there was no questioning that she had seen it.

She approached the storm drain as she wondered why she was being so crazily stupid. Who cared about wayward light? Hunger was beginning to gnaw her stomach, and a fast food restaurant was just down the street. She would be better off spending her time by getting a quick bite to eat than looking for whatever in a proverbial toilet. But this was one of the more benignly peculiar happenstances in her life, and she just couldn’t help herself.

She couldn’t see much of anything while standing, so she fell to her hands and knees. The light wasn’t from a misplaced LED, as she’d first assumed. Whatever it was, it was hard to see, but it seemed small and maybe circular in shape. Annoyingly, it was also just out of reach. She looked around and picked up one of the many soda straws littered all over the street, which would do if the thing wasn’t too heavy. Maxine’s hand crept between the grates as she worked hard not to touch anything. Though, when she considered it more completely, if she touched some of the gunk in there and had to cut off her arm, perhaps she’d be able to apply to disability scholarships.

Her straw teased the trinket several times. She was close, but it was hard to get the right angle. The final inch required her to turn her head to get the necessary reach, causing her to rely on feel alone while also trying to prevent her hair from slipping to the ground. Passersby were beginning to stare and comment, but Maxine ignored it all as she patiently worked. After some deft maneuvering, the end of the straw felt unduly heavy. She slowly withdrew her hand and was too shocked by her prize to even smile.

It was a ring, and quite a gorgeous one, in fact. She had never much cared for jewelry—might as well wish for wings to fly to the moon—but the ring had to be worth more than most of the cars driving by combined. It had a gold band with a large, blueish-colored diamond. She figured that was the source of the light she had seen, but she could have sworn it wasn’t a reflection but a glow. The ring wasn’t very dirty, and she examined it closer and noted that it didn’t have scratches or any other signs of damage. It couldn’t have been in there very long. She wondered most of all why it was even in there in the first place. No one who lived here, not even the drug kingpins, could afford something like this. Perhaps some downtown bigshot had gotten very, very lost and, in a panic, threw their ring down a storm drain before they jetted to someplace more civilized. Yeah, that made perfect sense.

Could it? she mused.

Why it was in the drain ultimately didn’t matter; she already knew which pawn shop she’d take it to. As she tested the ring between several candidate fingers, her mind danced with the possibilities of being able to fully fund a beater car, an apartment, and even multiple semesters with her little find. Yet, she would probably never in her life be in possession of anything like this again. She had to try it on, if only for fun, and the ring finger on her left hand seemed the best choice. She smiled broadly when she slipped it on and it fit perfectly. In fact, after a second, it seemed to have been made for her hand. Any elation left her quickly, though, as she was overcome with a dizzy spell.

“I’m hungrier than I thought,” she said softly, bringing a hand to her head.

Maxine staggered back and forth. The world seemed to be spinning, and closing her eyes barely helped. Then the feeling stopped. She felt completely normal…except for one thing. A nagging urge told her to take a step to her right. She gave in to the feeling and, a second later, a bus just missed her.

She snapped her eyes shut and turn her head sharply out of reflex. A woman on the sidewalk yelped. Maxine opened her eyes slowly. Her hands trembled from the aftershocks of her racing pulse, but she was otherwise fine. Maxine looked at the woman then tipped her head. She’d thought the woman screamed because she was about to witness a teenage girl do her best impression of a bug on a windscreen, but that was not the reason at all. The bus drove through a large puddle. The woman was completely soaked.

Maxine sighed as she patted her body to check her own damage. She’d rather trudge to school in wet clothes than risk going back to the apartment to change. To her surprise, however, she was completely dry, and now that she thought about it, she couldn’t recall feeling any water splash her.

“I don’t know how you didn’t get wet,” the woman said while she wrung out the bottom of her blouse.

“I don’t know how I’m not dead,” she replied with a shrug, which was more important.

The woman groaned something, but Maxine could only smile. Perhaps she and luck were finally on speaking terms. Hell, this was quickly turning into one of the better days of her life.

She began her long trek to school as she wondered how long the streak would last. But something bothered her from the very first step. It was difficult to describe the feeling. She wasn’t feeling dizzy again or suffering from any physical malady. It felt like a voice was whispering in her ear. She had no idea what it was saying, though. She wasn’t actually hearing anything; the communication was like a soft pinprick that played along the edge of what she could perceive, and it seemed like it was prompting her to do something.

Without thinking about it, she strapped her backpack over both shoulders. She hadn’t carried it this way since she was a little girl, but it suddenly felt painfully annoying to proceed with the bag on one shoulder as she usually did. Even when worn evenly, though, it still bothered her. The weight seemed to throw her off her natural step. Natural step? What was her natural step? She felt quite apart from her own body, as if she was an alien piloting a crude meat suit. At the same time, however, she felt lightweight, like she could waltz on the tops of clouds.

The dueling sensations and niggling urges made her stop in place. It was all she could think to do. Even that felt wrong, though. It was like she didn’t know how to walk or even how to stand still. What the hell is going on with me?

She dropped her backpack to her feet and felt relief greater than any time in her life since her father had caught her eating cookie dough and, instead of punishing her, handed her a spoon. She stood there, completely still. Slowly, the niggling urges and sensations ebbed away. Her body felt like any other time in her life—normal. Then she moved an arm, and nothing felt normal at all. Maxine could feel her body minutely change to adjust her balance. Everything flowed like energy through a definite point below her belly button—her center of gravity, she eventually realized. The sensation was pleasant, like a soft tickle. She moved her other arm and felt the same sensation. The more she allowed herself to just react, and the less she consciously thought about what she was doing, the softer and more pleasant the tickle became.

To her left was a long, raised curb corralling a row of trees. The teen walked onto the curb and took a few steps along it, as if it were a balance beam. At first, she held out her arms to keep herself steady, but then she relaxed and didn’t bother. Like before, the less she thought about what she was doing, the easier it became. It was like her body was more responding to her will than it being…well, her body. She was already spinning through a pirouette before she realized how nuts it would be to do so. She couldn’t help a curious frown. Not a single muscle had wobbled or wavered. She always had to think just to do a cartwheel.

She spun again, but this time with her eyes closed, and again her performance was utterly steady and even elegant in execution. The soft tickle radiated through her the entire time, and she loved it. She skipped and hopped through another pirouette, this time completely in the air. When she landed, she broke into a full run. The end of the curb fast approached, and without even thinking about what she was doing, she jumped off the edge in a forward flip. Her feet hit the ground firmly but softly, as if she were a piece of steel delicately placed. Maxine stood still as she breathed hard, not from the physical exertion but from sheer amazement. I should have broken my neck.

Then she heard clapping.

“Hey, you going to the Olympics?” a security guard asked. The excitement in his voice made him sound like a schoolboy.

Maxine stared at the ground in front of her with eyes wide. “I’ve never done that before,” she said breathlessly, unable to believe what had just happened. If someone told her she could do that, she’d gladly ask for whatever they were smoking.

“You should go! That was great!”

Her skin was too dark for anyone to notice her blush, but she did. She had never meant to make a spectacle out of this. Maxine covered up her embarrassment by giving him a quick curtsy before she returned to her backpack. She didn’t notice how she flowed down the sidewalk, each step seeming almost preordained in its deftness as well as its softness and grace.

The security guard was completely captivated. “Wow,” he muttered to himself.

Maxine heard him and assumed he was still amazed by what she did on the curb. She picked up her backpack and sighed when that annoying feeling of being thrown off balance returned. The first thing she’d buy after she sold the ring was a new backpack. This one was becoming too bothersome. Strange how she’d never noticed before.

* * *

Maxine arrived at Fillmore High in due time. She didn’t have any great love or dislike for her school, but even so, she couldn’t help groaning softly and rolling her eyes when she looked at the bastion of education. The school seemed like more of a fortress than an establishment dedicated to learning.

There was only one entry point at the front, which was guarded at all times. Remote-controlled security doors handled all the other entrances. The security was principally to keep out drugs, active shooters, and anyone who wasn’t supposed to be inside. But to her, in this instance, it meant she couldn’t sneak in and pretend she wasn’t late. A call from her mother saying she was sick this morning would suffice to get her off the hook, but it would probably be easier to push a boulder uphill than get her mother to make a phone call before noon. The house phone was probably disconnected anyway.

Maxine began the final leg of her trip with pursed lips. Might as well get this over with, she thought.

She was a crowd of one, which was hardly the case when she arrived on time. The queue then could easily stretch down the street. There were three guards, and she wasn’t one of the students who were on a first-name basis with any of them. Frankly, she hardly ever interacted with them. She placed her backpack on the conveyor belt for the X-ray machine and walked through the metal detector when she was prompted. It immediately went off.

“You have anything in your pockets?” the guard asked.

“No,” she said.

He then produced a wand and scanned her body. “ID,” he said.

Of the many reasons she looked forward to going to college, chief among them was the ability to get on the school grounds without it being like she was entering Fort Knox. She pulled the ID off her backpack, which had finished its trip through the X-ray, and handed it over.

“Ms. Russet, you are late. Report to the main office before you go to class.”

“I know,” she said softly after taking a deep breath.

“And congratulations,” he continued.

Congratulations? she thought with a raised eyebrow. She was tempted to ask what he meant but thought better of it.

The walk to the office was thankfully short, but now that she thought about it, she wasn’t tired in the slightest from her trek to school. She had, regrettably, done the trip before and should have felt at least a little sore by now, but there was nothing. It was weirder that her foot didn’t bother her whatsoever. Any other time, she’d be limping by this point. It was strange, but so was worrying about why she wasn’t feeling pain. She went through the glass door of the office and stopped at the main desk.

“And you?” the secretary asked.

Maxine glanced at two boys sitting near the entrance. One had a swollen eye, and the other had an obviously broken nose. Both were in cuffs, and two police officers minded them. She guessed it had been a fight. They eyed her as well, and she ignored them.

“Late,” she answered, turning her attention from them.

“Take a seat. Mrs. Bullock will be with you shortly,” the secretary responded.

Maxine nodded and glanced at the clock as she went to a seat. She’d already missed most of first period, which was chemistry. It wasn’t her best subject, but it wasn’t her worst either, as she was running a solid B+. Second period, European history, was a different story, but she knew she should be out of here before then.

After only a couple minutes, Mrs. Bullock appeared from her office. She gave a few words to the police, but all the while she looked at Maxine. “Officers, if you’ll excuse me. This will only take a moment.” Then she called, “Maxine,” as if she wasn’t the only other student waiting. “Come with me.”

The teenager followed dutifully. Mrs. Bullock was a tiny woman. Even Maxine towered over her. Her hair was tied into a bun, and she took small, measured steps as she walked. The girl often wondered why or how people tended to look like the stereotype of their profession. Drab, prim, and proper, Mrs. Bullock screamed school administrator. It was hard to imagine Fillmore without her, like she had been constructed the same day as the school and would be stuck here haunting its corridors after she died.

“Sit,” she said when they entered her office. Maxine did so immediately. Mrs. Bullock took a seat at the other end of her desk. She stared at the teen with her fingers stitched together and her mouth tight. “Explain yourself,” she said sharply.

This was all a formality. Maxine knew there was nothing she could say that could get her out of this, and there was nothing she could say that any administrator really cared to hear. Mrs. Bullock looked like she wanted to get this over with as quickly as possible so she could deal with the boys. Maxine hated the song and dance.

The truth of it was that she had missed her alarm because she was exhausted. Each and every day she was exhausted. She did anything and everything she could to avoid going or being home. Last night, she had been up until three in the morning before she snuck back into her room. There had been nothing glamorous or seedy about last night; all she had done was sit alone on a park bench and read. She knew several such spots that were well lit and seemed relatively safe for passing the time, and she rotated through them like a lost alley cat. Her mother would give her hell when she wasn’t able to get to her room undetected, but it was worth the risk. Her apartment was little better than a toxic den of radioactive waste. Her only defense was to limit her exposure.

She had tried to explain all of that one time when she was in middle school to Mrs. Bullock’s counterpart. In that particular instance, she had been tired because her mother had gotten drunkenly angry about something and ripped her tattered mattress to shreds, causing her to sleep on the floor. The administrator had simply looked at her, paused, and then said that was no excuse. Maxine hadn’t bothered to mention anything like it again.

She looked at Mrs. Bullock and sighed. Only one musical number would do. “I slept in,” she said with a shrug and a hint of lament.

“Young lady, that’s not good enough,” Mrs. Bullock said seriously. “Yes, you are a senior, but you’re flushing your education down the drain with this lackadaisical attitude of yours.”

Maxine was able to keep from rolling her eyes, but only by biting down hard on her tongue. “I’m sorry. I was up all night playing video games,” she lied. She might have played Mario Bros. once an eon ago.

Her dance partner appeared taken aback by the statement. Perhaps she had taken it a step too far. “You have a real chance to better yourself within these walls,” Mrs. Bullock said. “I’m giving you a half-hour detention after school. I hope you use it to consider your future. You don’t have much time left here.”

Thankfully, Maxine thought.

“You should make the most of it. You’re dismissed.”

Maxine stood and, saying nothing, walked out of the room and then out of the main office. The bell signaling the end of the period sounded right as she entered the hall.

“Shit,” she muttered under her breath.

She’d figure out what happened in first period later. Her history class was at the other end of the school, so she moved out at a fast walk. By her best guess, a horrible sadist had timed just how long the average student needed to get from place to place and then cut that time in half. She’d taken it upon herself more than once to help a lost freshman figure out where they needed to go.

As she made her way through the great mass of her peers, she was offered a few greetings that she barely had time to acknowledge. She didn’t notice, though, that before each one, she had looked at the person a second before they said anything. She was the last to arrive at her history class, as she figured she’d be. The bell sounded as soon as she walked through the door.

Almost everyone glanced at her then, and it made her pause. Maxine wasn’t shy by any definition of the term. She couldn’t say she ever felt energized while in crowds, and she was always less than forthcoming about what she actually thought or felt, but she was not shy. Yet, in this moment, it felt like twenty spotlights were pointed toward her simultaneously and she was a wax statue. The suddenness of it made her halt more than the sensation itself. Thankfully, most everyone looked away, and the feeling dissipated. This is such a weird day, she thought as she went to sit next to her best friend, Stacy.

Their teacher, Mr. Roberson, went through attendance quickly and then stood up with a stack of papers in his hand. “I hope everyone did the reading I assigned last night. Pop quiz.”

There were several muttered curses and scoffs.

“Mr. R., it’s March Madness. Nobody got time for that,” someone complained. “It was Duke versus Butler in the championship. Game was crazy, man.”

“No doubt,” someone else agreed.

Mr. Roberson responded with the usual sermon that they all needed to care about their futures and so on and so forth. Maxine didn’t pay much attention to it. She’d read the assigned passage, but in her tired stupor, she couldn’t remember much of anything about it. Besides the fact that streetlights didn’t make the best reading lights, she also had to keep her head on a swivel whenever she sat out in the open as she had on that park bench, constantly on guard for the monsters of the dark.

“Will you let me copy?” Stacy whispered.

“You’re probably better off guessing than copying off of me,” Maxine said from the side of her mouth.

“Girl, stop joking.”

She smiled, but she was telling the straight truth. When Mr. Roberson passed out the quizzes, Maxine could only stare at hers. Several possible answers for the first question came to mind, but all seemed wrong. She could think of nothing, and leaned back in her chair.

It was then, and quite unexpectedly, that the solution came to her as if by magic. She didn’t know how it came so clearly; it just did. She read the next question, and once her mind went blank, the same miracle happened again. The teenager smiled as she flew through the quiz. She was bouncing between a B- and a C+ in this class, and while the quiz probably wouldn’t count for much, it certainly wouldn’t hurt if she got a good grade. She was returning her completed quiz to Mr. Roberson before she even realized it.

Her smile, however, turned crooked with guilt on her trip back to her chair. Stacy was gawking at her with quivering, pursed lips. The required silence of her rage forced Maxine to hide her laugh behind a demure hand.

She shrugged and mouthed, “Forgot.”

“Bitch,” Stacy whispered under her breath as she sat down. “Why didn’t you let me copy?”

Maxine laughed lightly again. Probably the greatest distractions ever invented were her idiot friends and her friends’ friends.

“You can’t read anyway.”

“Fuck you, cunt.”

Such was Maxine’s amusement that she had to wipe a tear away right when Mr. Roberson called time. She and her best friend could go back and forth like that for hours. It was strange that when her mother called her the same things, her first reaction was an overwhelming urge to jump out the window.

There were more scoffs and curses as their teacher collected the quizzes. A soap factory could become the world’s first trillion dollar company washing out the mouths of her classmates, and admittedly her own as well. Mr. Roberson started going over the answers. She was right; she had to have aced the quiz.

“Damn girl, you look good,” Stacy said.

She smiled. Her friend had more money in her hair than had gone into Maxine’s entire wardrobe. Maxine was wearing her usual, which wasn’t much: a light jacket, jeans, and a solid-colored T-shirt, which for today was dark purple. Stacy, by contrast, was a mess of hoop earrings, lashes, multicolored nails, and more brand labels than a Formula One race car. She didn’t look good, per se, nor did she look bad. It was just that, as Maxine had to politely remind her on many occasions, not all clothes were meant for all bodies. That was especially true for the clothes Maxine could wear without even thinking about but on Stacy would cause a split seam. It was a wonder of the ages why Stacy insisted on splitting seams.

“You should look good, though. I think I remember donating those to Goodwill,” Stacy joked while she preened her hair by using her cell phone as a mirror.

Maxine rolled her eyes. “Ha, ha, ha,” she said flatly. “I did see one of your shirts there, though. It was being sold as a tent canopy.”

Stacy stopped preening herself abruptly and shot her friend a cold glare. “Bitch,” she said pointedly but with a few chuckles.

Maxine laughed lightly. “Harlot.”

“Damn, Max. You’re up here calling me a harlot—”

“It means whore, Stacy.”

“Girl, I know what it means!” Stacy blurted out. Mr. Roberson groaned loudly and turned to face her with his hands on his hips. “Sorry, Mr. R.,” she said, her tone sweeter than even the purest schoolgirl could muster. She then glared at her friend with enough malice to make the devil cower. Maxine slapped both hands to her mouth to stop a wayward laugh from bursting out. “Max, I’ve said it before… You read too much books.”

That instantly focused the raven-haired teen. “I read too much books?”

“Yeah, you read too much books,” Stacy said again with iron confidence.

Maxine paused. There were many things she thought of saying, but all of them were too mean. In the end, she sighed and gave a quick roll of her eyes. “I hope you stay beautiful forever, Stacy.”

“You know it,” the girl replied as she returned to examining herself with her phone, not understanding the intent of the comment. Maxine figured she wouldn’t. “Anyway, who you marrying?”

“What are you talking about?”

“You think I wouldn’t notice the ring? Come on, fess up. Who is it?”

Now Maxine knew what the guard had been referring to when he’d told her congratulations. She had forgotten she was still wearing it. She quickly moved to cover her left hand with her right. Her first thought had been to take off the ring and put it in her jacket pocket for safekeeping until she sold it this afternoon. That was what she’d originally planned anyway. But considering the matter now, she worried that the ring might fall out of her pocket. On her hand might be the safest place for it. There was no need to keep it out in the open, though.

“No one,” she said defensively.

“And you’re up here calling me a harlot. No man is dropping ice like that on a female for no reason.”

“Not everyone thinks like you, Stacy.”

Now it was her friend’s turn to roll her eyes. “Girl, please.”

“No one gave it to me. I found it.”

“Uh huh, in the hotel room the next morning,” Stacy said. “It’s okay, though. You know I’ll find out the truth.”

Maxine’s eyes found the ceiling as she gave an exaggerated two-fingered military salute and stuck her tongue out the side of her mouth.

Stacy laughed lightly. “You going to the party at Bear Mountain this Saturday?”

“Are you going?”

“Can’t. My father got me on lockdown.”

“Then I don’t think—”

“Girl, you need to go! Besides, I know someone who will be there,” Stacy said with a leading tone.

Maxine went still and then turned around slowly. Her eyes found Rodney almost immediately. The jock gave her a quick wink, but he paused suddenly when he saw the ring. She, however, was too focused on the first action to notice the second and abruptly turned forward.

“I don’t know,” she responded.

She didn’t dislike Rodney, but she didn’t exactly like him like him either. The wink, even as small of a gesture as it was, would probably have half the girls in school jealous in an hour. If it hadn’t been given to her, she might have even been counted amongst them. However, she was the lucky lady in the hot seat, and while she definitely felt heat, the only problem was that her heart told her she was more likely to get burned than lucky.

“Come on, Max. What else are you going to do all day? Read dictionaries?”

Maxine, no longer thinking about Rodney, smiled. “Mooncalf,” she said harshly.

“Girl, I don’t know what that means, but I’ll smack you.” Stacy slowly raised a hand, threatening her friend, who just laughed. “Come on. Go, at least so you can tell me about it.”

Maxine paused for a second and then shrugged. “All right.”

A Books by its Cover Part 4

Disclaimer:

The creative process, even in artistic fields, is often not a case of sudden magnificent inspiration, but rather the end result of cold analysis of what works or doesn't work, calculated experimentation, and iterative design. If you are someone that doesn't want to know how the proverbial sausage is made, I caution you against reading further.

 

…Book four. Forget headwinds, the march to get this book done, at almost every stage on almost every level, was like walking into a hurricane. But done it is.

Once again Tom Edwards was used for the cover design. The concept, as presented to him was as follows:

As for ideas, yes, I do have some. The book is in the next in the series, but it takes place in 2010 New York City (time travel). The main character is a black teenage girl. I was looking for hair references and found this picture. This is basically exactly how she looks (minus nose ring):

Note: It’s pretty rare that I see a model or actor/actress that looks exactly like my “mind’s eye,” but this girl is bang on for main character Maxine

Clothing I'll leave to the artist, but think average teenage highschool student (no school uniform, no midriffs...I hate midriffs). I'd like her with a backpack, if it works. More importantly she has what can best be described as a diamond ring (left hand ring finger). It glows very brightly blue. I'm thinking her on a city street (artist discretion if you want a famous NYC locale) with the street behind her basically going to hell...think war not natural disaster. Some quick examples of what I mean:

(Background troops, aircraft, vehicles at artist discretion)

The girl, however, is so enamored by the ring she is oblivious to everything going on. I'd also like large bluish-white sparks along her shoulders and arms.

 

Action Girl Returns

The first rough:

 

The title of book four is, The Baptism of Power. Like how Monster of the Dark occasionally is mistaken as Monster in the Dark, Mr. Edwards mistakes The Baptism of Power for the more common Baptism of Fire. My comments below:

Like it so far. Just a few things:

1. The title is "The Baptism of Power"

2. I think the posture could be more feminine, closed, vulnerable. (Closed legs) Some examples of the "energy" I mean:

3. In the same vein the expression, to me, comes across as too foreboding. I think the contrast between what is going on in the background compared to her interest in the ring on her finger is what sells the cover. So, curious...yes. Focused...yes. More "what is this possibly wonderful thing" than "OMG what is this." The pictures below are girls looking at cell phones, but the expression is the closest I could find to what I mean:

4. Lastly, a little more "kinetic" with the sparks. The idea with me was always related to Godzilla, so may as well reference the source. Note how the sparks not only arc along his back, but out from it (They don't literally need to come from the girl's back, but you get the idea)

 

I Finally get my Sparks

Further refinement for the cover:

 

Near final version:

My comments:

I like the background and the cover overall, but I can't say I love it. We're very very close.

1. As I said, I like the background, but it is hard to see. Perhaps it could be brightened?

2. Probably should have mentioned it earlier, sorry. But more youthful in the character design. I like the body and the pose. My issue is one of those intangibles that is hard to explain with words. I'm thinking it might be the clothes. Perhaps something like jean shorts? Top is fine, but it would have to be short sleeved instead of the long sleeves it currently has to make sense in the new context. A reference image:

3. Lastly, I'd like the circle surrounding the "4" to be broken or crumbling.

Sorry to send you back to the drawing board,

Mr. Edwards response:

Hi KT.

Thank you for the feedback. It all looks good to me.

I'll work on the changes and send a new version before the weekend.

With the background, I made it darker to allow the lighting, explosions, and blue light to pop more. How light would you like me to go?

My reply:

I was thinking that the darker setting was chosen for that reason, and it really does make those details pop. However, it also makes it hard to get a sense of place. My wife couldn't tell where exactly she was supposed to be until I said it was a city street. It was only then that she noticed the details. Hate to throw it back on you like this, but you're the artist. It's kind of hard to answer, "how bright?" Best I can really say is bright enough so that you can tell (easier) where she is. That's the best way I'm able to describe it.

The final final cover, both with title (note the crumbling ring around the “4”) and art only:

I’m proud to announce The Baptism of Power book four in the Mirrors in the Dark Series.

A Book by its Cover Part 3

Disclaimer:

The creative process, even in artistic fields, is often not a case of sudden magnificent inspiration, but rather the end result of cold analysis of what works or doesn't work, calculated experimentation, and iterative design. If you are someone that doesn't want to know how the proverbial sausage is made, I caution you against reading further.

 

Number three, Cause of Death, the definitive middle child of the planned five book series. It isn’t a debut of new characters in a new setting from a new author like Monster of the Dark. It doesn’t experiment with subliminal communication and psychological complexity like The Rogue Wolf. Nor does it have the grand “set piece” moments like book four (title to be revealed). Now don’t get me wrong, Cause of Death is a great story in its own right—frankly I consider it the most fun of the five. But from the standpoint of its production, both in the text and the cover, there isn’t really much to say. The entire process was straightforward from beginning to end.

Once again, I used Tom Edwards to design the cover. The initial idea was as follows:

As for cover ideas, this book is more mil-sci fi than the previous, specifically spaceship battles and the like. There is a character I'd like to emphasize who wears a mirror-like mask that covers the entire face. Similar in concept to this:

I would like that mask in close up, much like this picture (no body visible), but I'd like the mask to be reflecting fire. I'd like the background to be a starfield with two starships blasting away at each other. The exact look and positioning I'll leave to you, but I would like it to be apparent that it is a "David and Goliath" type struggle...perhaps one of the ships is so large that it is only partially visible, but once again you're the artist. I'd also like two starfighters flying by in formation. I'm a bit of a jet nerd so I'm a bit more particular about them. Sorry, I can't draw (made a laughable attempt to show you what I mean), but put simply, take the forward swept wings of an X-29:

Combined with the forward fuselage of a F/A-18 (basically from where the leading edge of the wing meets the fuselage on forward):

Note: the images of both aircraft are presented in platform, even though they are of different orientations, to help the artist

No tail control surfaces please, but twin engined with a nice long (dramatic) exhaust trail.

 

If you’ll allow me an aircraft geek out for a moment. While I didn’t specifically direct the artist in what exactly the fighter craft looks like, the Banshee starfighter is easily the most detailed vehicle in the series. To use the F/A-18 pictured above as an example of what I mean, you’ll notice two small trapezoidal protrusions just ahead of the wings on the fuselage. They were added to the aircraft shortly after the start of production to direct airflow around the vertical tails to improve fatigue life. Most readers aren’t interested in the extreme technical details of a machine in a story devoted to character study. The author, however, is aware and accounts for such often unmentioned elements in the background.

Anyway, Mr. Edwards asked additional questions regarding how the battle would be depicted in terms of foreground, background, etc. The following three roughs were presented:

Mr. Edwards had a personal preference for image 2 and 3, which I agreed. Between the two I preferred “2” the most. I was asked about colors of the text, but I left it up to the artist.

A refinement of the background image and text. I requested that there’d be a fire for the ring surrounding the “3” above the series title, in keeping with the thematic theming of the number with the story itself.

Further refinement with the inclusion of the battle itself and the requested starfighters.

The final image, art only. Though not requested, I do like the subtle skull in the mask. I intend to include that theme for the cover of book five, when we get there. Until then, this series of posts continues with the cover reveal and title reveal in the production of the cover for book four.

A Book by its Cover Part 2

Disclaimer:

The creative process, even in artistic fields, is often not a case of sudden magnificent inspiration, but rather the end result of cold analysis of what works or doesn't work, calculated experimentation, and iterative design. If you are someone that doesn't want to know how the proverbial sausage is made, I caution you against reading further.

 

Sequels. As mentioned in part one, an original work has the difficult task of enticing a reader to pick it up and give it a read. Its sequel has to the additional complication of not only having compelling artwork, looking good in an image the size of a thumbnail, communicating genre at a glance, but also indicating that it is a continuation of an existing work.

Some examples from arguably the most famous sequel in pop culture.

Note how “The Star Wars Saga Continues” is printed prominently as is Darth Vader, who is the most striking image in all of Star Wars.

 

While the intent might be the same, there is a difference in the execution of a movie that has a budget of tens of millions of dollars and a focus tested marketing campaign verses that of the typical independently published author. Many authors, having made a cover that is appealing to look at and effectively communicates genre, often use variations of the original theme for the sequels.

 

Of course, me being me, the expected tried and true methods of how to proceed were chucked out the window after a stream of nutcase incoherent curses of “where’s the fun in that” and “I’d rather do it my way.” For me, the cover for book two must be visually striking, must communicate genre, must be visible in a thumbnail, but absolutely must not have a visual theme that is the same as Monster of the Dark.

While each book in the Mirrors in the Dark series is a part of the same continuing story, there are minute changes in the sub-genre of each that change how the story is presented and told from book to book. They are as follows:

Monster of the Dark - character study/coming of age

The Rogue Wolf - thriller

Cause of Death - military sci fi

“Book Four” - tragedy

Genre hops like this tend to frustrate readers as the average reader expects the conventions of genre to be consistent from book to book. Enjoyment typically follows expectation. While I am cognizant of that reality, the throughline in all my writing has never been in how well I follow specific genre tropes that readers are looking for. Instead, my intention has always been to have a general set of expectations that KT Belt readers are looking for. As my editor said regarding book four:

“As your stories always seem to be, this one is fun, adventurous, dark, and thought provoking!”

I’ll take that as a tagline.

For The Rogue Wolf I elected to use a different cover artist, Tom Edwards. I liked the work that Jeff Brown did for the cover of Monster of the Dark, however, he is quite expensive and difficult to schedule. Mr. Edwards is based out of England and all our correspondence was through email. The initial concept was present by me as follows:

I'd like a young woman in close up, pretty, blonde, hair in a ponytail, facing outwards from chest up (not sexualized).  Her eyes are glowing a bluish-white (no visible iris).  There are also bluish-white sparks of electricity emanating from her body.  In the background there is a "futuristic" city.  I don't really care about the specific style, you may indulge yourself.  However, if it is possible, I'd like the thematic aspect of the city being a forest, without the city actually looking like trees, leaves, or anything of the like.  It's easy enough for me to type here, but I'm not exactly sure the best way to translate that theme visually.  The best concept I can think of, for the moment, is normal trees in the immediate background with the city behind them.  The trees cover the base of the buildings giving the visual impression that the buildings are a continuation of the trees, though they are not.  I'm especially open to suggestions on that element.

The request for a city “coming out” of a forest is a visual symbolic reference to Gungnir’s description of how and why Clairvoyants were trained:

“It’s ridiculous, but they believed monsters and horrible beasts lived in the forests and other dark places.” He paused before he continued. “A war is raging, but if you haven’t noticed, none of that war is taking place here or on any world with a large Clairvoyant population. When the sortens or Eternals attack other worlds, they have to kill every last man, woman, and child to be certain they can hold the territory. That is why we are here. We are wolves,” he said, turning around. Behind him, Carmen could see the clouds break, once again covering the facility in the shadows of Haven City. “And we aren’t able to give pause to those who want to enter the forest if we aren’t vicious. More than that, we can never leave the forest, otherwise those taking refuge within it would be rendered defenseless.”

-The Rogue Wolf

Mr. Edwards asked why the character would be wearing and below is my reply:

As for her clothes, within the context of the story she would be wearing body armor that is constructed as a one piece bodysuit, which is of a flexible fabric similar in concept to kevlar (dark grey in color). Sounds interesting as written for a science fiction novel, but visually boring. My only real preference for her clothes would be something that appears obviously "tactical" that has high mobility and little to no encumbrance (still dark grey in color, if suitable).

A quick example of where my mind is going that I found online (for a man, but you can get the idea):

I try to include reference images, where possible, to help the artist

What I like about this example is that the general cut and subtle changes in color trim implies athleticism without over the top showing of muscle definition. Unfortunately, I can't find a similar female iteration. Most are sexualized to the point of functional uselessness (within context of the character) or makes the woman look androgynous.

 

Canonically, Carmen’s body armor is designed to stop high velocity projectiles while also having a sacrificial ablative layer for extreme heat resistance. While not explicitly described in story, the only practical way such a piece of kit could work is if were made of a type of nanofiber that was able to intelligently reconfigure itself just prior to any impact to defeat the incoming projectile. More than likely, becoming a laminate of an ultra-hard surface with softer sub-surface layers to prevent shock from transferring to the body.

In reality modern military body armors are designed to protect the vitals (head and chest) almost exclusively. High-powered rifle bullets can only reliably be stopped by heavy ballistic plates.

 

Action Girl Returns

The initial concept sketch:

 

My response:

I must say I quite like the visual of the "forest" with the city behind it. I wasn't sure how that element would come through, but it mixes quite nicely.  For now the only change I'd like is with the character. I'd like more feminine, less (overt) power. Some hips and an actual bust (not too excessive) would be nice as well. Perhaps even some vulnerability. Unfortunately I can't find a poise of what I'm speaking, but there is implied danger with the eyes (like how they came out). By the nature of the character and the story, the implication is all that is really necessary.

Quick example of what I mean:

I am absolutely NOT saying use this poise or this theme, but the implication is quite clear—sexy and dangerous. I'd like (if it is possible) vulnerable and dangerous.

Mr. Edwards asked for my opinion on the general mood and theme. I said I liked it and the clothes, but wanted a softer more “feminine” pose

 

Pose concepts:

Alternate 1

Alternate 2

 

We were getting closer. The gun had to go. I like Mr. Edwards inclusion of it, but canonically Carmen has no need for it. The pose, however, was too “Action Girl” for the character. It was hard for even I to detail exactly what I was looking for. So, I stood in front of a mirror and played with various poses until I found one that fit.

My response to Mr. Edward:

I had a thought of how she stands that I think will get us there if you don't mind me detailing in text:

Instead of standing square, as she is now. I think it will work better with her body rotated away (both shoulders and hips). By my mind's eye it doesn't make any difference if her body weight is on the back leg or not, but you're the artist, so I'll leave that to you. Her rear hand is on her hip and her lead hand is near her lead leg in a "relaxed" position. Lastly have her head rotated slightly forward, chin down.


I then provided some reference images:

I did some searching and was able to find some visuals that point toward where I was thinking. Once again, not interested in the hair or expression, just pose and posture.

I think this picture is near the closest I'm thinking of:

Her legs can't be seen, but she is even weight on both. She has her head tilted and is slightly chin up, as I said I'd like the character's head straight and slightly chin down. The arms, of course, are also not what I suggested.

 

This woman is in a similar position.  Her lead arm is relaxed near her leg, as I suggested, but her rear hand is not on hip. Her legs are apart, unlike the woman in the first picture, not sure if that would make any difference.

 

This picture is similar to the first two, but she is arching her back, neck, and lead shoulder denoting submissiveness. To me it looks awkward in a way that's hard to place.

 

This woman is somewhat, though not completely, squaring her shoulders even though her hips are rotated away. Majority of body weight is on the rear leg, with almost "L" shaped feet. She is in effect leaned away.  It "might" work, but I'm not completely certain.

 

An exaggeration of the previous picture. Her shoulders are no longer level and her rear arm is now invisible. Once again, there is an awkwardness to this pose that is hard for me to place.

Hope that helps

 

Mr. Edwards then provided sample poses to choose from:

Of these, I requested the head of 3 on the body of 1. In the meantime, detail of the background was proceeding:

Carmen placed back on the cover, but with the detail of hair to be added:

 

Hair, long beautiful hair

Generally speaking, with women, I write hair as analogous to psyche. For Carmen, her ponytail represents the psychological restraint instilled in her from her training in Monster of the Dark. It is not a tight ponytail as she is consciously aware that she is not her “true self,” the restriction producing a constant low-level frustration. It is not explicitly stated, but as the series progresses her ponytail actually gets looser. In the final book she has no ponytail at all.


My response to Mr. Edwards:

With regards to hair, some ideas. I somewhat liked the hair in the previous sketches, much more so than the hair in the last sketch that had hair. If I can get something similar to those, with maybe a little more volume to make her look "girlier" I'd appreciate it.

A few reference images. Ignore the face, expression, and head position, I'm just talking about the hair:

I like how her bangs frame the face

Similar style, viewed from the side

Once again similar style, but more volume...possibly too much in the tail, if only slightly.

 

Despite differences in the theme of the cover there were elements I wanted to continue through the series. Namely fonts and how each book was numbered. Detailed below:

Unrelated, this is actually the second book in the series. I'm working with a different cover artist concurrently on that book as I'm working with you. At the time I started this I wasn't sure if I wanted to include the series name on the title (which is "Mirrors in the Dark"). I have since decided that I would like to. I do like how the other artist included the series title on the cover, with a horizontal line, and a number for the book (in this case it would be "2"). Reference below.

The title of "The Rogue Wolf" can stay at the top, but I do also like the less blocky font here.

 

The final cover (art only):

 

And with title in series standard font and number style:

The production work for book one and two was happening almost concurrently. Two different artists two different styles, and I like how both turned out. Next this series continues and there is yet another change of theme with book three.

A Book by its Cover Part 1

Disclaimer:

The creative process, even in artistic fields, is often not a case of sudden magnificent inspiration, but rather the end result of cold analysis of what works or doesn't work, calculated experimentation, and iterative design. If you are someone that doesn't want to know how the proverbial sausage is made, I caution you against reading further.

Everyone has been told at some point in their life to, "Not judge a book by its cover." The wisdom of that idiom as it applies to people, places, situations, and experiences is well intentioned in the usually banal instances it is spoken. Your dear mother suggesting that perhaps Jason actually is fun to play with...despite how lame he looks, is quite different though similar in kind to the idea that the growling snarling dog looks vicious but may be really friendly once he's let off his leash.

Countless examples can be given either supporting or refuting the rule, however, there is one inescapable truth—the average reader DOES judge a book by its cover and in many cases, it is the initial reason why a reader becomes interested in a book.

Besides an eye-catching image, more critically, book covers need to convey genre, major selling points if any (awards, mass appeal, etc), and all these elements must be visible in an image the size of an Amazon thumbnail.

vs.

vs.

The genre of the books is obvious even in these small images

In addition, the first book in any series has the considerable task of not only making a reader interested in it, but also all subsequent books in the series. Book three or book five might look cool and might be well-reviewed, however, if book one looks completely unappealing a prospective reader might never be convinced enough to read to book three or five.

Monster of the Dark (MOD) is my first published book and subsequently it is the first time I’ve ever had to commission a cover. I selected Jeff Brown for the cover based upon his body of work and what I was looking for. Though, I’ve never commissioned a cover for a book, I have worked with artists before and they have explained to me that they always find it more helpful if the client has some sort of idea of what they are seeking instead of the artist having to constantly draw and redraw over and over again until the client finally sees something that clicks. Artists are, of course, creatives too and I’ve also found that overly specific requests can conversely produce a final piece that either falls flat or a final design that doesn’t utilize all the artist's strengths. Most artists will make suggestions, but ultimately, it’s best to give the customer what they want—for their good or ill.

My initial pitch to Mr. Brown was done over a video conference, unfortunately I have no record of it. Suffice to say the cover that is on MOD is not that pitch in any way. The original pitch was basically the scene from the first chapter of the book wherein Carmen was taken from her home. Mr. Brown believed the image might be a good piece of art but would be ineffective as a thumbnail.

I deferred to the judgement of the professional experienced artist and the idea was scrapped. I still might commission that cover at a later date for my own vanity when a (not insignificant) amount of money is wasting away in my pocket, but for now the original idea exists only in my imagination.

We eventually agreed upon the general theme of the Carmen overlooking a futuristic city. Mr. Brown asked for any distinguishing aspects of the character (Carmen) or the world, particularly vehicles, architecture, etc. For Carmen I said she was a young woman, blonde, with a ponytail. I also requested, which is a signature Clairvoyant trait, that sparks of electricity arc along her body.

As an aside, the physiological aspects of a Clairvoyants at a high state of charge namely: sparks from their bodies, glowing eyes, and physical discomfort being near them were taken from Godzilla (Godzilla is a monster born from the atomic bomb. While rarely mentioned in the movies, being near him causes radiation sickness)

Description of a Clairvoyant waking up:

Waking up was never a quiet event for a Clairvoyant. Their bioelectric fields, energized by irrational dreams and nightmares, raged madly though invisibly while they slept. Then, by the slightest stir of the conscious mind from its stupor, the fields exploded into spectacular disarray. Visible sparks coursed along both of their bodies, getting wilder and wilder till they eventually filled the corner of the room where they slept. The two Clairvoyants’ respective fields played with each other, challenged each other, retreated, and gave way like a superhuman duel between two angry specters. And then it stopped. The only evidence that remained of the monster within was a slight whitish-blue tint to their eyes when they were opened, but it went away after a second or two.


The Rogue Wolf

 

The depiction of the “futuristic city” I left open to the artist. I did mention that cars can fly in this universe…specifically that their performance is greater than modern fighter planes, but I once again left how they looked to the artist.

The initial concept sketch:

I generally liked the initial sketch. However, it suffered from what I now like to call “Action Girl Syndrome.” I don’t know if it’s the influence of the present culture, or the general preference of artists to present characters is dramatic powerful poses, but I notice it is a tendency I must regularly pull them back from. My exact reply to the sketch:

Well after a day to think about it, I must say I still quite like the theme and setting.  My only request at this point is for less tension in the body (back and arms).  Elementally, the character is more "water" than "fire."  It's the difference between "I could hurt you" vs. "I will hurt you."

I then provided the artist some reference images of his own work for what I was looking for:

Verses a reference from his catalogue of what I didn’t want:

The cover was then developed to this point:

The resulting pose is a perfect example of an artist intuitively understanding after just a few words what a client is seeking, and is also a good example of the human touch present in well-made art that AI can’t match. The resulting stance is dramatic, powerful, and FEMININE. “Chef’s kiss” is the contrast between open relaxed left hand and tight-fisted right hand. Once again, Could hurt you vs Will hurt you. Other subconscious aspects that I like are the slight Dutch angle present in the city, though Carmen is center frame and straight. Dutch angles (tilting of the frame) in film are often used to “unsettle” the audience. In this instance the implication can be taken as the world is “off” and/or the character doesn’t fit in it. Also, the spread of the arms hints at, though doesn’t completely imply a crucifix. While Carmen is NOT a Christlike figure there are blink and you’ll miss it religious themeings in Monster of the Dark.

Changes from that point were minor. For one Mr. Brown forgot that the character was blonde, I personally thought her hips were too big. And I requested that the small sparks have their color changed to blue. I suspect that the color for the sparks were chosen to contrast the blueish background. I don’t like countermanding artists choice of color; they know far more about color theory and how color choice affects the viewer. However, in this case I preferred color choice corresponded to accuracy. It is not explicitly stated, but the colors Clairvoyants produce, either sparks or heat beams, follow the spectrum of electromagnetic waves to denote intensity.

The final image (art only) is as you can see below:

While not what I was initially seeking, I do quite like the end result. I personally think the cover stands out against most other covers in the genre. I also liked the fonts chosen by the artist so much that I decided to have them as the fonts for the rest of the series.

Part two will cover how the cover for the second book in the Mirrors in the Dark Series, The Rogue Wolf, came about. And how striking just the right pose can be so elusive.

Why I Write

 

This wouldn't be the first time Billy told his story about the Witch of the Mists. Perhaps, it all started the day he found out his scout troop would be spending a weekend camping at the Great Smokey Mountains. The idea that there was some long forgotten evil lurking among the ridges and preying upon unsuspecting travelers wedged itself in his mind, and despite his best attempts, it would not go away.

Over the succeeding weeks his every waking thought that wasn't spent eating, studying, or clowning with his friends was busy refining the details of the tale. Some of the ideas where utterly stupid, one was a blatant rip off of that werewolf movie he saw last month, and then there were a few rabbit holes his brain couldn't help surveying that had nothing to do with the actually goings on of the story he intended to tell, but were good to know anyway. Items like what exactly caused to Witch to hunger for fresh souls.

He told his friends tidbits as they came to him…until a strong punch in the arm from John let him know that maybe they really were more interested in talking about Sally's short skirt than some fabled wrinkled up old prune. Yet, while Sally's chosen attire DID arouse his attention, especially when she bent over, he couldn't get over the image of a gnarled hand reaching for him from out of a cloudy void.

At night, when it was quiet, he wordlessly mouthed the story in bed. He thought once or twice about writing it down, but no, this needed to be told. Words on a page couldn’t convey the Witch's whisper quiet voice that shrieked randomly on an odd syllable. Besides, every time he told himself the story it not only changed slightly, but got better. He could, also, now do the Witch's voice without even thinking about it.

Unfortunately, that wasn't good enough. What did it matter that HE and he alone knew the tale of the old crone that lurked deep in the mountains? He swore that Satan's Mistress herself once visited his dreams and told him that if he didn't tell somebody her story, she'd rip his soul out the moment he stepped foot on HER mountains. Perhaps instinctively he knew not to tell his mother. No matter what he said, she'd say it was great before proceeding with whatever was required to keep them clothed and fed. His father wasn’t one to mince words to save his ego…if he even used words. Usually a short grunt meant "good" and a long low grunt meant "bad." Neither parent would do. Consequently, his kid sister, Betsy, was the first.

Billy was surprised she listened to the entire thing. For sure, she'd get bored and wander off to do some girly thing that she miraculously found less boring than watching paint dry. But, she sat and listened attentively. Indeed, the longer and longer he spoke the wider and wider her eyes got while she clutched her stuffed dolphin, Clyde, tighter and tighter.

That night his sister inexplicably screamed in her sleep and demanded to spend the rest of the night in their parent's bed. In the morning, he could tell that his mother was furious. She tasked his father to mete out a punishment. His old man worked hard not to laugh when he described how scared his sister was, but Billy received the directive loud and clear—no more scary stories for Betsy.

Eventually the fated weekend came. The Smokey Mountains were living up to their reputation. The air was thick with dense fog. Thankfully, the troop found the campsite easily enough, and then began a long hike. Billy's father was among the troop leaders. The adults were getting increasing annoyed that the boys weren't paying the slightest attention to anything they were saying about the nature all around them. Billy didn't join in his peer’s mindless conversation. He did randomly look in different directions and before intently staring at nothing, though.

"Hey, Billy what's up," Big Mike asked, the teen could probably powerslam half the fathers on the trip.

"Nothing, nothing," Billy said nervously. He stopped suddenly then shot his head a direction "What was that," he hissed.

"What was what?" Joseph asked, pulling away from the conversation of the upcoming hockey season long enough to notice something else was going on.

Billy shook his head. "Nothing it's nothing, just had a feeling of being watched...ya know."

"Yeah, whatever," Joseph replied, before returning to talking about hockey.

But while they walked Billy continued to look around himself nervously. Most of the boys noticed, a few scoffed under their breaths. His father gave him a long glance, though. When Billy noticed he smiled, which made his father smirk.

It was night when the troop returned to camp. A fire was crackling after only a few minutes. S'mores were passed around soon after that. Billy waited until everyone was comfortable around the fire. Then he said softly, "does anyone want to hear a story?"

No one really made a reply, but there were no "noes" either. He began slowly. A first no one was really paying attention. That changed, however, when he decided to introduce a new character on the fly...Stacy, who for whatever reason loved wearing short skirts. It was then he realized that what interested his kid sister was different than a group of teenage boys on a camping trip, but not completely. When the first unfortunate hiker's soul was taken all side conversation ended, even some of the fathers were paying attention to him now. The gory details that made Betsy cringe uncomfortably produced wry smiles, which sharply fell away when the Witch of the Mist fileted the hikers who would shut up about the upcoming baseball season—they might have escaped her notice if they were quiet.

When it was over, Billy noticed that Gordon hadn't taken a single bite of his s'more the entire time. His fingers were covered in melted chocolate.

"Great story," Mike said.

"At least it passed the time," Joseph replied dismissively before starting up another conversation about hockey.

Eventually, the troop leaders announced that it was time to sack out. Billy went to his tent and sighed contentedly. It was gone. He had told the story of the Witch of the Mists and finally, at last, his mind was free to think about anything else. He had to work to even remember the tale.

"Dad, what's the next trip going to be?" he asked as his father got comfortable in his sleeping bag next to him.

"Offshore fishing."

Billy nodded and thought nothing of it. The next day there was a difference in the troop as they hiked. A few of the boys glanced anxiously in the mist as they walked. All of them were quiet, even Joseph. Big Mike asked Billy about the story, he clearly wanted more, but Billy found it hard to concentrate. His mind was preoccupied with something else.

The ride home was pretty quiet. His father might have grunted once or twice. It was late when they finally arrived. His mother was already asleep as was surely Betsy. However, when he went to turn his light off, he turned to see her in his doorway, Clyde tucked under her arm.

"What is it?" he asked.

"Can't sleep," she eventually said. Billy wondered what exactly he was supposed to do about that, but he noticed that it seemed like she wanted to say something else. He raised an eyebrow.

"Can you tell me another scary story?" she eked out, guiltily.

Billy reflected that mom was furious that Betsy fled to her bed after a big brother induced nightmare, but Betsy hadn’t complained about it. He smiled. He didn't know if there'd be hell to pay in the morning, but he didn't care.

"Sure. Have you heard of the Beast that lurks beneath the Depths?"

Book Four off to the Editor

(Disney)

It’s that special day in every work of fiction’s life where the author has done all he or she can to make their story the best it can possibly be, and it needs to be handed off to a set of more impartial and critical eyes. I once again apologize for the time it is taking to publish the fourth book in the Mirror’s in the Dark series (title to be revealed later), but I assure you the book is still coming.

This work has been quite the undertaking. Originally, I estimated that the book would run approximately 160,000 words. At the time of this post the book is just under 175,000 words! It will take a little time for my editor to go through the project and still more time for me to evaluate her suggestions. The book cover also needs to be created. Nevertheless, this is a milestone I have long looked forward too.

In the meantime, things will get a little busier around here as I now have some time to post before I begin book five.

Thank you all, and thank you for your patience,

KT Belt

Book Three in the Mirrors in the Dark Series available for preorder!

After a lot of work and effort book three Cause of Death is now available for preorder at the discounted price of $2.99! After launch on 3/30 the price will revert to $4.99. This is a fast paced more action-oriented tale than Monster of the Dark and The Rogue Wolf. I hope you enjoy it! First chapter included below:

Chapter 1

Another Day in the Office

 

 

Here, surrounded by nothing, the cold penetrated all. Time stood still until there was just this singular moment. Only a glance at the clock in front of her told otherwise. The dark, lonely nothingness warped and clouded everywhere else she looked. This was her life for longer than she could remember. Her only company, the only thing that let her know she still existed, were the small pinpoints of light all around her—and, of course, Red.

“I’m telling you, Winter, they’re not going to show.”

Winter smiled as she flexed her fingers and rubbed them together. Their starfighter was a nice, dim hunk of metal floating freely in space. Almost every system, major or minor, had been shut down to lower their signature on any passive sensor scan. Unfortunately, that also included the life support systems. The air was getting mighty stale, but what was more of a bother was the temperature. An ice cube would have felt warm in her hand.

“Perhaps,” she remarked casually. “Doubt it, though.”

“They aren’t that stupid. We can’t get them again, same tactics, same place.”

She smiled for a second time. “As I said, perhaps. We’ll know in…one minute,” she added, glancing at the clock. “Frankly, they better. I don’t want to be out here flying picket and freezing my ass off for nothing.”

“Bet?”

Winter thought about it for a moment and then shook her head. “Unless you got a heater stuffed in your flight suit, there is nothing you can give me that I want.” The fighter pilot let out an annoyed huff. “I’m pretty sure my eyelashes have icicles now.”

Red laughed, which made Winter purse her lips, but she said nothing else. He was seated behind her, and she could only imagine his face.

“Traveler One-One, Cerberus, thirty seconds, comms check,” spoke a soft voice on their fighter’s communicator.

So it’s Leena this time, Winter thought. The Griffin’s operations officer, Ensign Leena Swanson, always had a calm, soft voice no matter the situation. Her words just had way of knifing through maelstroms to soothe racing pulses. Most in the squadron had come to appreciate it.

“Cerberus, Traveler One-One, four by five,” Red responded. “Anyway, they’re not going to show,” he teased, turning his attention back to Winter.

“Well, when you work by algorithms and efficiency, it does make you predicable. You call it stupid, but it’s smart in a way.”

“Uh huh.” She well knew her backseater was rolling his eyes. She grinned as she thought of the expression she saw far too often. “We’re too far away anyway. It will be hard to pick them up at half a light year,” he continued.

“Ten seconds,” Leena remarked.

Winter glanced at the clock before she spoke. “I think you’ll appreciate the separation if they do show. Baby and TR escaped with about half their Screamer,” she remarked, referring to their Banshee starfighter by the name most pilots called it.

Half a Screamer was a bit of an exaggeration. She’d heard the phrase, ‘A wing and a prayer,’ but even merciful angels would have ejected from that ship. It was barely worth saving as scrap.

Red must have been considering what she said, as he didn’t respond immediately. “No doubt about that,” he eventually muttered.

Winter barely heard him. She was fully focused on the clock now. All things considered, and despite the monumental waste of time it would be, she’d rather freeze here for nothing than suffer some other less pleasant alternatives. Five, four, three, she counted down in her head as she stared at the clock. The expected time till intercept came and then went, but there was nothing. Her gaze went to where the Eternal fleet would be dispelling their Ghost Drives. She had no hope of ever seeing anything with the naked eye at the expected range, but the reflex couldn’t be helped.

“Good thing I didn’t bet.”

“No shit,” Red responded. “Cerberus, Traveler One-One, negative contact. I say again, negative contact.”

“Traveler One-One, copy negative contact, cleared RTB,” Leena said back.

Winter sighed softly as she flexed her fingers once more. At least she’d be able to get warm soon. “All right, let’s get out of here. Plot a course. I’ll start powering systems.”

There was no response from Red; not at first. “Winter!”

“What?” she asked, annoyed that he was practically screaming at her.

“Winter! Winter!” he said, his voice so rushed that it was cracking.

“What? What is it?”

“Multiple contacts all around us. Closest contact is just eight light seconds away!”

She turned on her helmet-mounted display and looked rapidly in every direction. The enemy didn’t drop out of light speed half a light year away as expected but right on top of them.

“Do they detect us?”

“Not that I can tell,” Red answered.

“Phone it in.”

He nodded, though she’d never be able to see it. “Cerberus, Traveler One-One, enemy contact, datalink established, confirm,” he said hurriedly.

“Easy, Red.” She spoke softly, though admittedly her breath came short. “We’ve still got a job to do. Focus on that.” But she couldn’t fault him for his nerves.

She was the Hustlers’ CO, a veteran from the beginning of the first Terran-Sorten War from the very first battle. There were few pilots who weren’t either retired or dead who could say they’d seen more combat than Winter had, but now even her hands were tingling, and it had nothing to do with the cold.

The two of them waited for several more seconds, but Leena gave no response. Winter swallowed hard. “Are we being jammed?” she asked. If so, that wrinkle would ruin the entire plan.

Red opened his mouth to speak and then cursed softly. Winter raised a confused eyebrow as she turned her head toward him. He continued muttering to himself.

“No,” he finally said. “It’s just… Damn it, I’ll leave that on.”

“Red?”

“Cerberus, Traveler One-One, enemy contact, datalink established, confirm,” he repeated, ignoring her. At least his words were crisp and professional this time.

She considered what just happened and felt a wry smirk come to her freezing lips when the only possible explanation dawned on her. He had forgotten to hit the transmit button.

“Traveler One-One, Cerberus, confirm,” came Leena’s steady, calm reply. “Wow, great tracks. Hold position. All Hammers inbound, enjoy the fireworks. Twenty-two seconds.”

Well, there’s a reason for the great tracks, Winter thought, but neither she nor Red said anything. She could hear his breath quicken. It made her realize that hers also worked to keep up with her thudding chest. Her mouth was dry, and she swallowed hard.

Just then, there were small pinpoints of lights all around them. They were brighter than the stars and had an odd bluish-white ethereal glow. They grew ever brighter as the missiles streaked to their targets. In time, long thin beams of light streaked out to meet them from where she knew the Eternal fleet was. Everywhere she looked, all around them, the light show grew and grew in intensity until it came to its inevitable climatic end. The first explosion turned their fighter’s cockpit canopy almost completely opaque. She still had to squint her eyes. On and on the explosions came until she felt like she was in the center of the sun.

“Winter, they’ve begun active scanning. Several smaller contacts inbound…fighters.”

“They’ve made us. All systems on, let’s get out of here,” she said quickly but without stress. She could almost feel the abrasive certainty of the noose tightening around their necks, but hysterics never helped.

There was, however, a voice that could be calmer than hers no matter the situation. “Traveler One-One, please hold position for battle damage assessment,” Leena said, seemingly unaware of the enormity of the request.

“BDA?” Red shouted in disbelief. “Are they fucking crazy?”

“Traveler One-One, Cerberus, I didn’t copy your last. Say again,” Leena said.

Red muttered curses under his breath again while Winter smirked once more. When he forgot to transmit, he must have turned on his VOX to avoid making the same mistake. Politeness aside, Leena had heard him five by five.

“They really want to get us killed this time,” Red continued, but only after double-checking that it was a private conversation.

“No more than any other day,” Winter said with a shrug. “Time till intercept?”

“Fifteen seconds.”

“Time till full power?”

“Full power…now. But we won’t have weapons for about a minute.”

Winter groaned loudly. At least the cockpit was getting warmer. In any case, not only were they flying alone, but also, other than their six laser cannons, they were unarmed. Nine times out of ten, it was better to be lighter for a quick escape. The tenth time? Well, those usually made great stories at the bar, if you survived to tell the tale.

“Cerberus is outbound at this time. Rendezvous at alpha three. Good luck.”

Red muttered more curses under his breath; Winter ignored him. Now was a perfect time for the Griffin to get away. The carnage of the attack, which was rapidly dissipating, disrupted long range sensors, allowing a brief window for the starship to power her Ghost Drive without being tracked by whatever was left of the Eternal fleet.

The more immediate, however, came to the fore. Their pursing fighters opened fire. The energy rushed toward them like an impossibly fast missile, but at this range, maneuver was still an effective defense. Her IF/A-1000F Banshee was operated with a fly-by-thought flight control system. In an instant, they were burning on an evasive course that sped them to safety—at least for the next second or so.

“Still want to take that bet?” she teased.

“Fuck you, Winter,” Red snapped. “They’re firing again.”

She took a deep breath and, a fraction of a second later, they reversed their vector. The violence of the turn would have crushed her into putty and turn her sleek starfighter into a pile of disheveled junk, but the inertial inhibitor trimmed the force out to no more than an annoying weight on her chest.

Winter took the briefest of instants to glance at her sensor display and was quick to see the Eternals closing on them in an ever-tightening net. The machines weren’t capable of vengeance, as far as she knew. Perhaps a lone starfighter wasn’t even worth the trouble. But algorithms and efficiency were quite predicable. When you encounter the enemy, you kill them.

“Get us a hole, a weak spot, anything. We don’t have much time!” she shouted.

Then she threw the fighter in an erratic weave while Red cursed continuously behind her. Several shots now burned uncomfortably close. She worked the problem herself, glancing everywhere with her helmet display, but there was no immediately apparent solution.

“I think I got it. Two fighters slightly apart from the main group,” he said.

“Where?”

“Designated Master One and Two.”

Winter glanced at the relevant pair and accelerated her fighter toward them at full power. The Banshee’s twin matter-antimatter annihilation engines spooled to their second stage, and it was like an explosion. Her vision grayed as the inertial inhibitor struggled to keep up with all the acceleration forces. White-hot plasma belched behind the fighter for hundreds of miles. Their opposition fired at them, and her counter with a small change in vector almost blacked the two of them out.

“Winter, shoot list is up,” he said. But nothing happened. It was only maybe a half-second or so, but it seemed like an hour. One of the enemy’s shots even burned their shields down to a critical level. “What’s the matter? Shoot ‘em!”

“We don’t have lasers yet.”

“Shoot ‘em!” Red yelled again, before he heard her response.

“We don’t have lasers yet!” she repeated, yelling over him. “Give me a missile lock.”

“Winter, we don’t have missiles either,” he pointed out.

“They don’t know that.”

Her words made his hands fly over his console. Backseaters made due without a fly-by-thought system. The response was immediate when it was done. “They’re turning cold.”

“Charging Ghost Drive,” she announced as she put the fighter through another series of violent vector changes.

All throughout, an ethereal light built all around them. Their acceleration slowed from engine power feeding the system. At the last moment, Winter pointed the fighter on its proper course. Then, all at once, there was nothing. No fighters and not even any stars—nothing other than black all around them. Winter breathed easy.

“You did record all that for their precious BDA, right?” she asked after a sigh. Red said nothing. “Right?”

“Aw… Shit, I’m sorry. With everything going on, I forgot.” Winter leaned forward and then turned, trying her best to see him. He smiled at her. “I got it all, don’t worry.”

“Fuck you, Red,” Winter said as she turned to face forward again.

“Hope it makes them happy, Fleet officers.”

“Either way, the result’s the same,” she replied.

“What’s that?”

“We do it again tomorrow.”

Less than one week to go!

TheRogueWolf-art-4k.jpg

“The Rogue Wolf” launches on June 8th and I’m quite excited for the release!

I only have one beta reader, my lovely wife, who will quite openly tell me if she doesn’t like anything I’ve written and why. She said “The Rogue Wolf” is the best work I’ve done (I have other unpublished work). My editor gave a one word response when she was finished, “Wow!”

From the cover, to the writing , to the story, as always, I try to put out the best work I possibly can. I hope you enjoy Carmen Grey’s continuing journey…and guess what, book three is progressing quite nicely.

Available for preorder